{"id":35195,"date":"2025-03-24T15:00:27","date_gmt":"2025-03-24T11:00:27","guid":{"rendered":"https:\/\/www.lagazette-mag.io\/cendrine-bolarams-critical-onirism\/"},"modified":"2025-03-24T15:00:27","modified_gmt":"2025-03-24T11:00:27","slug":"cendrine-bolarams-critical-onirism","status":"publish","type":"post","link":"https:\/\/www.lagazette-mag.io\/en\/cendrine-bolarams-critical-onirism\/","title":{"rendered":"Cendrine Bolaram&#8217;s critical onirism"},"content":{"rendered":"<p class=\"p1\"><b>A first glance at Cendrine Bolaram&#8217;s paintings reveals both stylistic coherence from one solo to the next and a depth of purpose, halfway between philosophical reflection and chronicle of everyday life, often with a touch of humor or irony. To discover at Hennessy   <\/b><span class=\"s1\"><b>Park Hotel \u00e0 \u00c9b\u00e8ne<\/b><\/span><b>until March 31. <\/b><em>Dominique Bellier<\/em><\/p>\n<p class=\"p1\">Cendrine Bolaram has found her color palette and even her artistic language in the wake of confinement, moving from penumbra to light, favoring pastel colors, bestiary symbolism and a form of critical onirism. There&#8217;s nothing na\u00efve here: rather, look for depth and philosophical references. <\/p>\n<p class=\"p1\">The young artist likes to explain her work when she&#8217;s asked, curious too about everyone&#8217;s freedom of interpretation. In this clear palette animated by symbolic objects or animals, whose design refers to the world of cartoon representations (comics, fairy tales, K-pop&#8230;), she sometimes stages herself in the contrasting style of hyperrealism. Her dog at the <span class=\"s1\">breakfast<\/span> table with her is also depicted, as is a bat, which for once enjoys a precious hospitality (Tu casa es mi casa).<br \/>\nThe artist wants to draw attention to the value of small things and the need to live fully in the present: when we drink a cup of coffee, are we <span class=\"s1\">aware of<\/span> the human activity that preceded it?  <span class=\"Apple-converted-space\">  <\/span>We&#8217;re not walking a tightrope of magical realism, but rather <span class=\"s1\">like<\/span> tightrope walkers on<span class=\"s1\"> a<\/span> tightrope between life and imagination, conscience and wisdom&#8230; The sheep falling from the sky, wearing a lifebuoy, refers to the behavior of the Mauritian voter, who follows the watchwords like Panurge&#8217;s sheep. But beyond the original intention, this painting questions us all: to what extent do we really think for ourselves? <\/p>\n","protected":false},"excerpt":{"rendered":"<p>A first glance at Cendrine Bolaram&#8217;s paintings reveals both stylistic coherence from one solo to the next and a depth of purpose, halfway between philosophical reflection and chronicle of everyday life, often with a touch of humor or irony. To discover at Hennessy Park Hotel \u00e0 \u00c9b\u00e8neuntil March 31. Dominique Bellier Cendrine Bolaram has found [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":35116,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1776],"tags":[],"class_list":{"0":"post-35195","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture-en"},"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/posts\/35195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/comments?post=35195"}],"version-history":[{"count":0,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/posts\/35195\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/media\/35116"}],"wp:attachment":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/media?parent=35195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/categories?post=35195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/tags?post=35195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}