{"id":37796,"date":"2025-12-16T09:00:51","date_gmt":"2025-12-16T05:00:51","guid":{"rendered":"https:\/\/www.lagazette-mag.io\/?p=37796"},"modified":"2025-12-16T09:00:51","modified_gmt":"2025-12-16T05:00:51","slug":"ravior-the-praise-of-accidents","status":"publish","type":"post","link":"https:\/\/www.lagazette-mag.io\/en\/ravior-the-praise-of-accidents\/","title":{"rendered":"Ravior, the praise of accidents"},"content":{"rendered":"<p class=\"p1\"><b>Some breaks don&#8217;t mark an end. They open a passage. In Ravior&#8217;s workshop, time stands still. Craftsmen carefully handle fragments of ancient porcelain, silent witnesses to bygone eras.     <\/b><\/p>\n<p class=\"p1\">Each shard bears the traces of a previous life. From this material steeped in history comes a singular collection, inspired by Kintsugi, the ancient Japanese art that celebrates rather than conceals brokenness. Here, we don&#8217;t repair, we reinvent. The resulting jewels are absolutely unique: no symmetry is sought.   <\/p>\n<p class=\"p1\">Two distinct shards, perhaps from the same plate or from different services, two narratives that cohabit in dissonant harmony &#8211; an approach that turns traditional jewelry codes on their head! A veritable silent manifesto, this approach suggests that there are other ways of creating, other ways of conceiving luxury: a luxury that is measured not by the shine of new, but by the depth of accumulated time, a luxury that assumes its scars and makes them its strength. <\/p>\n<p class=\"p1\"><b>Discover Ravior boutiques in the new wing of Cascavelle Mall and in Bagatelle, as well as on ravior.com.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some breaks don&#8217;t mark an end. They open a passage. In Ravior&#8217;s workshop, time stands still. Craftsmen carefully handle fragments of ancient porcelain, silent witnesses to bygone eras. Each shard bears the traces of a previous life. From this material steeped in history comes a singular collection, inspired by Kintsugi, the ancient Japanese art that [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":37633,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1778],"tags":[],"class_list":{"0":"post-37796","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-local-colors"},"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/posts\/37796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/comments?post=37796"}],"version-history":[{"count":0,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/posts\/37796\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/media\/37633"}],"wp:attachment":[{"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/media?parent=37796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/categories?post=37796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lagazette-mag.io\/en\/wp-json\/wp\/v2\/tags?post=37796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}